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Photopolymer Gravure

The process of photopolymer gravure has a diverse range of applications and is adaptable to traditional photographic, digital and hand-drawn imagery. Plates can printed using relief, intaglio, and duotone methods.  Contact me if you'd like to host a group or one-on-one workshop in this or any printmaking process listed here. The possibilities are endless...

The images above courtesy of Print Art Research Center in Seoul, Korea.



Monotype/Monoprint

Exploring monotypes and monoprints is an adventurous activity where one of a kind, singular prints are made using a variety of techniques and materials. Whether using the traditional 'painterly' approach on plexiglass,  or experimenting with viscosity printing on an old etching plate, you are only limited by your imagination.

The slideshow above is documents a found material monoprint workshop presented for Tibetan Art Educators. Images above courtesy of Xiaoxiang International Printmaking Residency at Changsha Normal University in Changsha, China.



The Hybrid Print

The hybrid print examines the potential of combining traditional and digital print processes. Whether its woodcut or etching integrated with an inkjet print . In the realm of this workshop experience, there are no boundaries, unless you desire them.

Exploring monotypes and monoprints is an adventurous activity where one of a kind, singular prints are made using a variety of techniques and materials. Whether using the traditional 'painterly' approach on plexiglass,  or experimenting with viscosity printing on an old etching plate, you are only limited by your imagination.

The slideshow above is documents a found material monoprint workshop presented for Tibetan Art Educators. Images above courtesy of Xiaoxiang International Printmaking Residency at Changsha Normal University in Changsha, China.